But when you look at the plans Marvel Studios (and the Walt Disney Company) are laying out for the next few years, these references are a worrying reality check about where Miles Morales could fit into the cinematic conglomerate - and the identity his story could lose in the process.ĭays before Across the Spider-Verse’s premiere, Sony released a promotional reel featuring the live-action renditions of Spider-Man, culminating with Into the Spider-Verse in an ICYMI fashion. In a vacuum, that movie’s cameos can be seen as welcoming jokes for fans, and a tribute to Spider-Man’s media longevity. But the team behind Across the Spider-Verse wasn’t lucky enough to escape the crossover curse. Into the Spider-Verse was initially an independent breakout from that corporate-connection machine. Studios are increasingly force-feeding nostalgia to their fans through CGI re-creations of actors and deepfake voices. DC can’t escape Batman, and Star Wars can’t part ways with the Skywalkers. In an era of corporate crossovers and calculations, teams of creatives are rarely free from the responsibility of tie-ins or orchestrating the next spinoff. And that’s a problem, because the MCU doesn’t deserve Miles Morales. As producer Amy Pascal told Variety in the lead-up to Across the Spider-Verse’s release, a live-action Miles Morales movie is already in the works. In an IP-driven world, however, his freedom from the idiosyncratic norms of superhero movies wasn’t bound to last forever. Meanwhile, as Miles Morales tells Spider-Man 2099 in Spider-Man: Across the Spider-Verse, he’d rather do his own thing. Marvel Studios president Kevin Feige made his company’s ongoing push to keep Spidey in the MCU fold clear back in 2019, labeling the wall-crawler as “the only hero with the superpower to cross cinematic universes.”Īt first, Marvel Studios’ future plans for Spider-Man seemed to revolve solely around Tom Holland’s role as the character. While the Spider-Verse movies appear to take place outside Marvel Cinematic Universe continuity (apart from multiverse shenanigans that form the most tenuous conceptual connections), it was always clear that the yearslong back-and-forth between Marvel and Sony over the cinematic rights to Spider-Man would eventually interfere.
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